“LIMPING TOWARDS BABYLON” 2024 coverage (reader feedback)

Here’s some recent feedback I’ve received on my screenplay “LIMPING TOWARDS BABYLON”:

Slamdance Screenplay Competition short feedback:
“The script has really clever dialogue, and the relationships between these characters are incredibly well-thought-out and dimensional.

ScreenCraft Feature Competition short coverage:
“One of the things that really elevates “Limping Towards Babylon” is the layering of the characterization. The group all have distinct motivations and each acts with consistent agency. These are all smart and highly educated characters and yet we also see their more lizard brain impulses that sit below the surface. The contrast between what is verbalised and the subtext beneath it lends the character dynamics a great tension that sustains reader interest across the narrative.”

The Golden Script Competition Coverage
“The beginning of the story hooks you right in with a strong setup, introducing Marcus and Thomas right off the bat. It hints at their comedic tone through their dialogue and actions, making it easy for audiences to relate to them. As the plot unfolds, it skillfully delves into their individual journeys, blending their career ambitions with personal obstacles.
The screenplay is packed with vibrant character dynamics and hilarious exchanges. It really captures the essence of living together, highlighting all the quirks and complexities that come with it. Each housemate, from Marcus and Thomas to E and Adam, brings something unique to the table, drawing audiences in with a blend of novelty and familiarity. Following their lives, from initial interviews to everyday interactions in shared spaces, adds layers to the story and keeps viewers hooked. It’s like reliving those college days in a whole new light….”

Comedy, Film Festival, Limping Towards Babylon, Screenplay Competitions, Uncategorized

“LIMPING TOWARDS BABYLON” – 2024 Successes so far

I revised “Limping Towards Babylon.” Because, I never made a concerted effort to submit to Screenplay competitions when I first finished script, I have been sending it off – not to as many places as “Don’t Eat Paper!” but a somewhat parallel effort. (I was more concentrated on the difficult process of trying to raise money to produce and direct the film – a process that involved an enormous effort that on one level I was quite proud of (a “Limping Towards Babylon” website which I designed and populated, an excellent Look Book, accepted into Fiscal Sponsorship with the Gotham, etc.), but I was never able to raise the requisite funds. But I’ve never given up on getting it off the ground and thus why I thought maybe some screenplay competition successes would show investors it’s a worthwhile project:

– 2024 – Semi-Finalist, ScreenCraft Comedy Competition 2024

– 2024 – Semi-Finalist – 29th Annual Fade In Awards Drama Competition

– 2024 – Semi-Finalist – Dallas International Film Festival’s Screenwriting Competition


Above, a story board of the opening scene provided by Dallas International Film Festival – an excellent drawing though it’s missing one character who is in the scene

– 2024 – Semi-Finalist – Ojai Film Festival’s Screenplay Competition

– 2024 – Quarter Finalist – ScreenCraft Feature Competition 2024


– 2024 – Quarter Finalist – Final Draft – Big Break 2024

– 2024 – Official Selection – Berlin International Screenplay Festival

Comedy, Film Festival, Limping Towards Babylon, Screenplay Competitions, Uncategorized

“Don’t Eat Paper!” and “Pray with a Bullet” 2023 Acceptances

When I initially finished “Don’t Eat Paper!” in 2023, I began to submit that comedy screenplay to competitions: major, minor and those in-between. I then started to submit my older screenplays to some of these contests simultaneously because I had never submitted to most of them. (Since 2023, I’ve done several re-drafts of paper as the current version is shorter than what I submitted in 2023… ditto, I’ve done polishes on the older scripts too.)

“DON’T EAT PAPER!”

– 2023 Semi-finalist – Final Draft’s Big Break

– 2023 Semi-finalist – Flickers’ Rhode Island International Film Festival

– 2023 Semi-Finalist – Polish International Film Festival

– 2023 – Quarter-Finalist – Wiki World’s Fastest Screenplay Competition

– 2023 – Official Selection – Culver City Film Festival

“PRAY WITH A BULLET:

– 2023 – Quarter-Finalist – Outstanding Screenplays Feature Competition

Action, Comedy, Don't Eat Paper!, Film Festival, Los Angeles, Screenplay Competitions, Thriller, Uncategorized

Don’t Eat Paper! honored at two Los Angeles film festivals

On March 1, 2024 at the Chinese Theatres in Los Angeles on Hollywood Blvd, the script for “Don’t Eat Paper!” was names Best Fantasy Romance Screenplay at the Golden State Film Festival.


And earlier at the Hollywood Reel Independent Film Festival (held at LA Live), the same screenplay was named Best Screenplay – 3rd Place.

Comedy, Don't Eat Paper!, Film Festival, Los Angeles, Screenplay Competitions, Uncategorized

A play reading of THE MASTER AND THE MAGICIAN

A Play Reading of THE MASTER AND THE MAGICIAN Written and directed by Julius Galacki

When: May 22, 2021 at 3:00 PM Pacific Time (US and Canada)

Free, but you must Register in advance for this reading:
https://us02web.zoom.us/meeting/register/tZMrcOqqqzgvEtMjqJ2HwIrI1qA1ccQ7KAu4

After registering, you will receive a confirmation email containing information about joining the play reading.


“I must snare this hare before she becomes rabidly aware.”

In the style of Shakespeare’s “A Midsummer Night’s Dream” and other classical comedies, the play is chock-a-block with word play, alliterations, internal rhymes and couplets, physical buffoonery and mistaken identities. “THE MASTER AND THE MAGICIAN” is a fractured fairy tale for adults.

On the final night of a magician’s life, she seeks to pass on her knowledge to an heir, while at the same time playing a last game of hearts with a puckish fairy spirit in which they use four lovers as pawns.

However, underlying the comedy and farce are serious disquisitions into love, gender, the nature of leadership and especially the metaphor of the artist as magician.

Starring: Gabriella Biziou, Riley Conrad, Will Dixon, Caroline Quigley, Demitra Sealy,
Roy Vongtama and Mari Weiss. Stage directions: Judy Victor

Rehearsal photos:

Caroline Quigley, Roy Vongtama and Gabriella Biziou in a scene from the play

Will Dixon as Prince Daufon

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R.I.P. Michael Brooks

Very shocked, surprised and saddened to hear of the sudden passing of Michael Brooks – writer, leftist political commentator and humanist – at age 37. I didn’t watch all of the time, but when I did I was always impressed by his intelligence and knowledge. I particularly liked his interviews with professors like Cornelll West, Harvey Kaye and Adolph Reed, leaders like Lula and other like-minded folks.

I’m surprised how much I’m crying today. I listened to a lot of remembrances today. A common refrain was how many people said how giving he was, how encouraging, how helpful to other people. He didn’t see them as competition but rather as allies. In unity, there is strength. One of the things I learned that he never spoke about when I listened to his show: he grew up very poor, and fought very hard to not just rise up out of it, but that it was something he wanted no one to go through. So, his progressive values, which could sound so intellectual because he was so well-read, came from a deep emotional belief and genuine compassion. I always thought that was true, but to know the history, it just made it more real. He also had a great laugh. (I’ll admit that I didn’t find him as funny as other people did, but I found his sense of humor and joy very enlivening.)

Here’s one of the best things Michael Brooks said, and lived by: “Be ruthless to systems but be kind to people.”

Read more here: https://heavy.com/news/2020/07/michael-brooks-dead/

Meagan Day at Jacobin remembers: https://www.jacobinmag.com/2020/07/michael-brooks-remembrance

Michael Brooks (1983-2020) got a chance to meet former Brazilian president Luiz Inácio Lula da Silva early this year after advocating his release from prison.

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