Comedy, Don't Eat Paper!, Limping Towards Babylon, Los Angeles, Screenplay Competitions, Uncategorized
– 2024 – First Prize Comedy Feature Screenplay – Film Crash (40th year)
– 2024 – Best Comedy Screenplay – Woods Hole Film Festival (32nd year)
– 2024 – Finalist – Catalina Film Festival
– 2024 – Finalist – Northeast Film Festival
– 2024 – Semi-Finalist – Table Read My Screenplay (Hollywood)
– 2024 – Best Screenplay, 3rd place – Hollywood Reel Independent Film Festival
– 2024 – Best Fantasy Romance Screenplay – Golden State Film Festival (at the Chinese
Theatre in LA)
– 2024 – Semi-Finalist – Big Apple Film Festival and Screenplay Competition
– 2024 – Semi-Finalist – Flickers’ Rhode Island International Film Festival
– 2024 – Semi-Finalist – Los Angeles Comedy Film Festival
– 2024 – Quarter Finalist – Richmond International Film Festival
– 2024 – Quarter Finalist – Emerging Screenwriters Screenplay Competition
– 2024 – Honorable Mention, The Art of Brooklyn Film Festival / Screenplay Contest
– 2024 – Official Selection – Austin Comedy Film Festival
– 2024 – Official Selection – Portland Comedy Film Festival
– 2024 – Official Selection – San Pedro International Film Festival
– 2024 – Official Selection – Hollywood International Indie Screenplay Awards
– 2024 – Official Selection – Berlin International Screenplay Festival
Comedy, Don't Eat Paper!, Film, Film Festival, Los Angeles, New York City, Screenplay Competitions, Uncategorized
Here’s feedback from a Slamdance reader 1:
“‘Pray with a Bullet’ is a riveting tale, strong in its purposeful tone and vivid writer’s voice. A minor fix to note, the scene ins and outs within this screenplay could be tightened, as could the economy of language given we have some flow and pacing issues. However, this is an easy adjustment with a minor editing pass…. Nonetheless, this is an excellent ride and adventure. Wonderful job.”
Slamdance reader 2″:
“‘Pray with a Bullet’ has really stellar character build and development. It’s clear the writer has a strong understanding of people as a whole and how change in them comes about. The dialogue is relatively strong as well– natural and engaging…. A little bit of revising in act 2 for structure would immediately tighten up this script. Great job!”
Slamdance reader 3:
“In ‘Pray with a Bullet’ we have some excellent character work at play. There are fantastic creative choices as well within the writing; the writer’s voice shines in this screenplay…. This is such a fun ride to embark on as a reader and it’s clear this script is near its final form. Wonderful job!”
– 2024 – Semi-Finalist – 28th Annual Fade In Awards Thriller Competition
– 2024 – Semi-Finalist – Ojai Film Festival
– 2024 – Quarter-Finalist – ScreenCraft Action & Adventure Screenplay Competition
– 2024 – Quarter-Finalist – Table Read My Screenplay
– 2024 – Official Selection – Berlin International Screenplay Festival
“The genre elements truly shine here, ensuring the project’s commercial appeal comes across on the page. The historical context and physical location of ancient Mayan ruins provide an exciting backdrop for the drama and action. You write visual spectacle so well: Mick and Kabah’s underwater struggle against the skeletons, for example, the Jaguar War Goddess’s dark ritual, and the thrilling showdown with the giant mythical serpent. Beats like these make for an entertaining and visually compelling read.”
Slamdance Screenplay Competition short feedback:
“The script has really clever dialogue, and the relationships between these characters are incredibly well-thought-out and dimensional.
ScreenCraft Feature Competition short coverage:
“One of the things that really elevates “Limping Towards Babylon” is the layering of the characterization. The group all have distinct motivations and each acts with consistent agency. These are all smart and highly educated characters and yet we also see their more lizard brain impulses that sit below the surface. The contrast between what is verbalised and the subtext beneath it lends the character dynamics a great tension that sustains reader interest across the narrative.”
The Golden Script Competition Coverage
“The beginning of the story hooks you right in with a strong setup, introducing Marcus and Thomas right off the bat. It hints at their comedic tone through their dialogue and actions, making it easy for audiences to relate to them. As the plot unfolds, it skillfully delves into their individual journeys, blending their career ambitions with personal obstacles.
The screenplay is packed with vibrant character dynamics and hilarious exchanges. It really captures the essence of living together, highlighting all the quirks and complexities that come with it. Each housemate, from Marcus and Thomas to E and Adam, brings something unique to the table, drawing audiences in with a blend of novelty and familiarity. Following their lives, from initial interviews to everyday interactions in shared spaces, adds layers to the story and keeps viewers hooked. It’s like reliving those college days in a whole new light….”
– 2024 – Semi-Finalist, ScreenCraft Comedy Competition 2024
– 2024 – Semi-Finalist – 29th Annual Fade In Awards Drama Competition
– 2024 – Semi-Finalist – Dallas International Film Festival’s Screenwriting Competition
Above, a story board of the opening scene provided by Dallas International Film Festival – an excellent drawing though it’s missing one character who is in the scene
– 2024 – Semi-Finalist – Ojai Film Festival’s Screenplay Competition
– 2024 – Quarter Finalist – ScreenCraft Feature Competition 2024
– 2024 – Quarter Finalist – Final Draft – Big Break 2024
– 2024 – Official Selection – Berlin International Screenplay Festival
Action, Comedy, Don't Eat Paper!, Film Festival, Los Angeles, Screenplay Competitions, Thriller, Uncategorized
On February 24, I won Best Screenplay 3rd Place for “Don’t Eat Paper!”
O-Lan Jones (Sam Shepard’s first wife an: 
The hosts at the awards ceremony: 